Recorder range
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Recorder range
I know there are some other recorder players on this forum, so here it goes: What is the highest note you can play on a soprano recorder? I can hit the B five lines above the staff (treble clef). For some reason, I can't play an A though. It is probably because I only have a cheapo recorder.
I gotta admit that I'm a little bit confused
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
- Sam Gamgee
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A soprano recorder goes up to a D. (MAaaybe #D, but not sure). Most plastic recorders are too crappy to hit any note above B well (and B only if you're warmed up), but I've never herad of one not playing an A well before. It might depend on the piece, and your mental preparation for it: I have NO problem playing A's that high, especially not on my beautiful wood recorder, but for some reason, in this one song i was having trouble getting it - it was a little squeaky every time I played it. This is why: 1) I'm still in the process of breaking in my recorder, and you're not supposed to play high notes without warming up, and I wasn't really sure if A was considered "high" or if just playing ths song was warm enough. Thus I was timid and didn't breathe quite hard enough. B) I was actually reading a part for an alto recorder and transposing it higher so that the soprano could play it. So I would see and E and play the fingering for a soprano B. Anyway, this song, when playing on a soprano, really only goes up to A, which is not high, but it was printed as a high high D, which looked really scary hanging out way up there above the staff. And so I was intimidated by the highness of it and did not blow as hard. (I just switched from 1 to B. Oh well. I'll leave it. it's cool.)
Then I go and play the recorder part for Elrenn and Endereth (that's so fun!!! Thank you for writing that, Fred! (or Steve, but i'm guessing it was Fred)), and I have absolutely no problem hitting the B in that, much less the A.
Strange how images afffect our minds so much.
But I can go up to a C, if I blow hard and am prepared - just jumping up there like Richard Harvey does in Kemp's Jig (Gryphon) is difficult (but managable. That's a fun song to play!)
I don't think I'm going to attempt a D until I've really broken my recorder in.
Then I go and play the recorder part for Elrenn and Endereth (that's so fun!!! Thank you for writing that, Fred! (or Steve, but i'm guessing it was Fred)), and I have absolutely no problem hitting the B in that, much less the A.
Strange how images afffect our minds so much.
But I can go up to a C, if I blow hard and am prepared - just jumping up there like Richard Harvey does in Kemp's Jig (Gryphon) is difficult (but managable. That's a fun song to play!)
I don't think I'm going to attempt a D until I've really broken my recorder in.

Workings of man crying out from the fires set aflame
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
Yeah, all I have is a white plastic yamaha. It is really just a piece of well-manufactured junk and is prone to sqeaking. My alto is nicer, it is a $35 black and white Zen-on and has a much better timbre. Whenever I play it, I end up playing a fifth away from what is meant to be played, because I only bothered to learn Soprano/ Tenor recorder/ Alto saxophone fingering. So, if I want to play with anyone else, I have to rewrite my part a fifth away from what is written. Pretty sad, huh? 

I gotta admit that I'm a little bit confused
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
- Sam Gamgee
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- Posts: 3803
- Joined: Sun Dec 01, 2002 5:27 pm
- Location: Around the South Side
Yeah, i used to do that too. Then I had to learn alto for the Youth Mass group at our church... at first i tranposed, but it's really not that hard once you get the hang of it. Just hard to make yourself start.
A white plastic Yamaha?! Oh, you poor chicken!!! Those are the most ugly recorders on the face of this earth! I used to have one... then it dissapeared somewhere and I got a black Angel (reniassance style - no ornaments, just plain and striaght, curving in slightly towards the middle) in 7th grade. Then my sister gave me hers. They're both broken now. :-p
But my alto is very very beautiful. A ZEN-ON! YAY! Only mine's prettier than yours - it's white with brown wood-looking plastic. Very pretty.
A white plastic Yamaha?! Oh, you poor chicken!!! Those are the most ugly recorders on the face of this earth! I used to have one... then it dissapeared somewhere and I got a black Angel (reniassance style - no ornaments, just plain and striaght, curving in slightly towards the middle) in 7th grade. Then my sister gave me hers. They're both broken now. :-p
But my alto is very very beautiful. A ZEN-ON! YAY! Only mine's prettier than yours - it's white with brown wood-looking plastic. Very pretty.

Workings of man crying out from the fires set aflame
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
-
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- Sam Gamgee
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- Location: Around the South Side
Well, I was just doodling around on my alto the other day, and I started playing Kemp's Jig. (a fifth lower since i was using soprano fingering) I never can remember the start of the song because I get mixed up, so I start right when he's hopping from A to C. So I started playing on the alto D, and then F (for theremin: f on sopranino/alto/bass is equivalent fingering to soprano c and d= soprano a). And I hit it. Perfectly.
It was almost dissapointing, because here I go and buy this nice wood recorder and my plastic Zen-on can do it. Well, that's only because he's a very exceptional Zen-On. So special, in fact, that he is Gregorius Constantius Albertine Bob XXIX himself! Just now, i try it again without having even warmed up at all - perfect once again. And he can play a G too (=soprano insanely high d)! (someties a little squeaky, but mostly good) Let's hear it for Gregorius Constantius Albertine Bob XXIX!!!


Workings of man crying out from the fires set aflame
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
By his blindness to see that the warmth of his being
Is promised for his seeing, his reaching so clearly
To answer the OP:
Most (OK-to-good) recorders stop at a D. I've seen fingering for an E, and it even sort of works on my Moeck (a cheapie Moeck, if that's not an oxymoron), but I don't really believe it. I've produced something that claims to be a D# on most of the sopranos I've played, but nobody really wants to listen to it.
There's something weird about the A that someone mentioned, too. I have two sopranos, a more-than-decent Moeck and a decent no-name. The Moeck wipes the floor with the no-name on every note in the higher range *except* for that high A. If you don't hit it exactly right, the Moeck puts out an embarrassing squawk. The no-name produces an A every time. (Unfortunately it tends to be slightly out of tune..... <sigh>)
BB
Most (OK-to-good) recorders stop at a D. I've seen fingering for an E, and it even sort of works on my Moeck (a cheapie Moeck, if that's not an oxymoron), but I don't really believe it. I've produced something that claims to be a D# on most of the sopranos I've played, but nobody really wants to listen to it.
There's something weird about the A that someone mentioned, too. I have two sopranos, a more-than-decent Moeck and a decent no-name. The Moeck wipes the floor with the no-name on every note in the higher range *except* for that high A. If you don't hit it exactly right, the Moeck puts out an embarrassing squawk. The no-name produces an A every time. (Unfortunately it tends to be slightly out of tune..... <sigh>)
BB
My friends little brother got a bass recorder for Christmas! It is so cool. Its just a plastic one, but its so huge. Those things are crazy...
I gotta admit that I'm a little bit confused
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
Sometimes it seems to me as if I'm just being used
Gotta stay awake, gotta try and shake off this creeping malaise
If I don't stand my own ground, how can I find my way out of this maze?
- Losfer Words
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sigh I was expecting a more synth player response from youFredProgGH wrote:The real question is, what's the top note you can hit on an altoRequires much more finesse, you know...
Fred
such as "why try to hit it at all? just emualte it on a mellotron, chamberlin or sampling keyboard"
Ok, let me find that mithril dragon and balrog fire proof vest and shield
then give me 5 seconds to run like hades before the recorder players read this

On a crystal morning I can see the dewdrops falling
Down from a gleaming heaven, I can hear the voices calling
When you comin' home now, son, this world is not for you
Down from a gleaming heaven, I can hear the voices calling
When you comin' home now, son, this world is not for you